Movie Poster

Here is the poster for the Lithuanian movie adaptation of my novel, Provisionally Yours known as Laikinai jūsų in translation. And below that you’ll find a link to the trailer as well as a few pics. The premiere in Vilnius on November 23, 2023 was a blast!  We’ll see if it can get over here next year.

 

The trailer is here:

 

Standing on a Vilnius street by an ad for the film.

 

On the red carpet at the premiere with lead actress Justina Nemanytė.

 

The audience for the premiere

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Provisionally Yours,  will also be adapted in an  8-part TV serial in the spring of 2024. Here is a Lithuanian language newspaper article about it.

Below is a photo of me with the actors and crew on location in the spring of 2023. The director in white is Ramūnas Rudokas and the lead, Simonas Storpirštis, stands beside me. I wish I’d thought to ask after the other names, but it was all in a whirl. See a few more photos on the photos page.

 

 

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In December of 2023 I spent a week in Rome helping my publisher, Del Vecchio Editore, to promote the Italian translation of my 2011 novel, Underground, about anti-Soviet resistance in postwat Lithuania. Becauae of the ongoing war between Russia and Ukraine, interest was intense and the questions at various  events were piecing both in Italian and in English, in Rome and in Naples.

 

A strange and dramatic cover for the Italian translation of Underground.

 

A wonderful event hosted by Anne Giardini in Rome, and supported by two embassies.

 

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My latest novel, Some Unfinished Business was published by Cormorant Books  in February of 2023. I am very pleased indeed.

I received a wonderfully supportive description of the work in the introduction to an interview I did with Open Book.

Some Unfinished Business is a novel based on historical events that tell the story of a rhyming assassin, underground resistance, and precarious love in the Soviet Union of the postwar era

The Book Launch of Some Unfinished Business

 

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Here is a link to my most  recent audio book review on Shelagh Rogers’s CBC Radio 1 show, The Next Chapter.  I have reviewed Marius Kociejowski before, and I thought I’d had enough, but this erudite bookseller with a love for culture has an eye for eccentrics who are more interesting than the mainstream.

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A Chinese translation of Woman in Bronze,  originally published in 2011, has just appeared .

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I was in Europe for much of the spring and summer of 2022. I had a few literary readings in Lithuania and in May I  toured the translation of Buying on Time in Italy, translated as Tempus Fugit. Here is a link to some of the events.

I have just signed with the wonderful Italian house that did Tempus Fugit, Del Vecchio Editore, in order to have them bring out a translation of Underground in 2023.

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And in the meantime, here is a nice Lithuanian language profile of me that just ran on LRT TV. I’m on at about minute 2:20 and you may need to turn on sound.

Anne Applebaums’ Iron Curtain

The Crushing of Eastern Europe 1944 – 1956

Anne Applebaum

Anne Applebaum was in Toronto recently to speak about her excellent new book in a Donner Lecture series. Keith Lowe, in his Savage Continent, predicted that there is far more to understand about the destruction in Eastern Europe, and now, months after that statement, we have Applebaum’s book, covering some of the same territory as Lowe and to a certain extent, that of Timothy Snyder and Tony Judt before her.

The great strength of this history is the detailed description of how the communists functioned to destroy civil society in the lands they occupied, flying in Soviet-trained specialists to take control of local radio stations first. Stalin had a sense that radio was the most important tool in taking control of a country, but it was only a first step.

The war had habituated the occupied territories to violence. In Poland, whole buildings of inhabitants were arrested. In Hungary, a man pulling his two children in a cart was arrested and the children left on the street.

Czeslaw Milosz is often quoted on this matter of violence: “The man in the East cannot take Americans (or other westerners) seriously because they have not undergone the same experiences. Their resultant lack of imagination is appalling.”

What Milosz meant was that in the East, one turned away from signs of violence and distress to preserve oneself, while those in the West could not understand the lack of empathy that might stop a man from going to the aid of another being treated unjustly.

The violence of the war had left a vacuum, and into this vacuum came the communists, first with their army and then control of the radio. Some enthusiasts saw this as a good thing, if only because it brought order.

But what order!

Applebaum says the red army’s arrival is rarely remembered as pure liberation  – it is remembered as the beginning of a new occupation. I imagine that could not have been true for Jews, for whom the Soviets were the only hope of liberation in the East, no matter how bad their regime. At least they were not bent on the annihilation of a whole people. The Reds also freed non-Jewish prisoners in camps such as Stutthof.

But the rapacity of the Red army has been documented thoroughly, and Alpplebaum reminds us that in the iconic photo of a Soviet soldier raising a red flag above the Berlin Reichstag, the photo needed to be doctored to hide the several watches the soldiers were wearing on their arms.

Chillingly, Moscow viewed all inhabitants of the new Western territories as potential subversives, so the vice of repression was applied slowly, but relentlessly.

Among banned groups were hiking clubs and charities. The intention was to create a new type of person who was not even capable of imagining alternatives to the Soviet model.

Interestingly, Applebaum raises the question of why more people did not resist. I do wonder if this isn’t a slight application of Milosz’s claim that Westerners cannot understand (although Applebaum is practically an Easterner). Of course one does not resist when the price of resistance is so high. She does mention that resistance (and repression) carried on more intensively in the Baltics and Ukraine, but these areas are outside the scope of her book, which focuses on Poland, East Germany, and Hungary.

Sadly, I might add. These forgotten Baltic and other countries were covered to a certain extent by Timothy Snyder in Bloodlands, but they are difficult for most Westerners to understand because they did not have country status after the war. They were absorbed right into the Soviet Union. Their histories remain absorbed to this day. The multilingual Timothy Snyder explained that Lithuanian is too hard to learn (to say nothing of Estonian and Latvian) and as a result, histories of these places have not been written from the point of view of the west.

Applebaum gives plenty of detail in her work about the erasure of civil society (and even the reduction of free time, which now had to be devoted to partry-approved lectures, memorials, and marches). But the happy ending, if one can call it that, is that resistance remained muted, but present, at least in people’s minds, and it became active as Soviet power began to diminish due to the failure of communist economics.

The reaction to Applebaum’s book has been interesting. Timothy Snyder was praised by most reviewers, but as Adam Gopnik pointed out in an article in The New Yorker, some people were offended by his book because it could be used by ultraconservatives to diminish the importance of the narrative of the Holocaust. Snyder has denied this and claimed he simply lays out the facts of what happened. But in extremist circles I have heard echoes from, Snyder’s work was called “disgraceful”.

I couldn’t agree less.

In these various blog posts, I have discussed the idea of multiple narratives coming out of WW2 and the postwar era, but instead a kind of war of narratives has gone on. I still see claims that attempts to document the crimes of the Soviets are a cover to mask the crimes of Nazis and their collaborators. But when I approached Applebaum after the talk, and asked her about this claim, she said it has now become a “fringe view”.

We do tend to look at these stories from a point of view or fixed position, if we have one. Most westerners do not because they are ignorant of what happened in the East, but even so, the New Yorker review of Applebaum’s book is an example of argument from a position.

One of reviewer Louis Menand’s main questions is whether the United States could have done something about the crimes of the Soviets.

Unrealistic though the proposition may have been, most in the East thought so. The lack of interest in the West is still known as “the great betrayal”.

Menand is interested in the belief that Stalin had no grand plans to invade the west and the Soviet military might was often exaggerated by the United States. A subtext here is that the right-wingers in the West were exaggerating for their own motives. He also ads that Soviets really believed in their ideology, but can that be any sort of excuse? The Nazis believed in their ideology too.

Menand also says that USA could not do anything in any case, and that its goal was to destroy Germany, not save Poland.

But Poland did have treaties with England and France. What were their responsibilities?

Menand writes: “What happened on one side of the wall stayed on that side of the wall. It had no effect on the other side of the wall. Few officials in the West really wanted to se the iron curtain lifted”

That sounds like betrayal to me.

To his credit, Menand adds that Alpplebaum has depicted the human price. And what a human price!

When it comes to history, God is in the details. Alpplebaum has laid out the details in a book less horrific than Timothy Snyder’s but no less illuminating.

Lithuanian Translation Appears

The Lithuanian translation of Underground, called Pogrindis, appeared in Lithuania in 2013.  Here’s a link to an article about the novel’s background (in Lithuanian) as well as an interview with Tomas Donela, who has optioned the film rights. As for the novel itself, it’s available from the publisher at the link here.

For details of the book fair, see my blog post. Also her are a few more links to Lithuanian reviews and profiles: 1, 2, and a third one here. (If the last link doesn’t work, as mine is having trouble, you can find the review at Literatura ir Menas).

Here’s a Lithuanian television interview I did for an operation called “Alchemija.”